|LIONEL LHOTE, BARITONE|
|CV NEDERLANDS||CV FRANCAIS||CV DEUTSCH||REPERTOIRE||ACTION SHOTS|
Lionel LHOTE, (Belgium) started his vocal education at "l’Académie de Musique de La Bouverie-Frameries" with his father. Subsequently he studied at "Conservatoire Royal" in Mons with Marcel Vanaud and Jacques Legrand and eventually graduated at Brussels’ "Conservatoire Royal de Musique" with a "First Prize for Concert singing" and the "Superior Diploma of Lyric Art" with "greatest distinction". In 2004, he reached the Finals and became Laureat of the prestigious Queen Elisabeth Singing Competition of Belgium. He was also award with the "Audience Prize". Meanwhile he belongs to the leading baritones of his generation with repeated engagements throughout Europe's prestigious opera houses.
There was no way to escape the negative effects of the covid-19-crises. Amongst Lionel Lhote's cancelled productions : Don Carlo/Posa (Italian version) at the Heidenheim Festival, next to his debuts as Nilakantha in Delibes' Lakmé and in the title-role of Hamlet by Ambroise Thomas, both at the Royal Opera House of Liège and his appearance as Ford in Falstaff at the Royal Opera House La Monnaie. By miracle his very debut as Posa (French version), produced by the Royal Opera House of Liège, and for which the artist got lavish praise, escaped the wave of cancellations. Also La Traviata - at the Opera House of Bordeaux - in which Lionel Lhote was engaged to sing Giorgio Germont, could take place, as the production was scheduled between the two lockdown periods. His first engagement after several months of confinement, took him to the opera house of Liège to sing Don Alfonso in Così fan tutte.
NEWS ! AND FUTURE ENGAGEMENTS
The artist is currently engaged by the Liège Opera House, where he got lavish praise for his brilliant interpretation of Paolo Albiani in Simon Boccanegra (new production). Again his performances testify how well Lionel Lhote masters the Verdian repertoire. Future engagements in Liège will see him eventually appearing in Lakme (Delibes) as Nilakantha and in Hamlet (Thomas) title role. Subsequently he will embark at La Monnaie to make his debut in Henry VIII (title role) a rarely performed opera by Camille Saint-Saëns. Also notable is his role debut as Don Pedro de Hinoyosa in a new production of Offenbach's La Périchole at the Paris Théâtre des Champs Elysées. A production to be revived amongst others at the opera houses of Toulon and Dijon. No doubt, his season 2022-2023 will be exciting.
A SINGER ALL OVER THE STAGES
As a result of his steady improvements over the past years, Lionel Lhote's has gained notoriety on Europe's main stages, with invitations by: La Scala Milano where he debuted as Saint-Joseph in Berlioz' L'enfance du Christ, the BBC Proms (Royal Albert Hall London) as Fieramosca in Berlioz' Benvenuto Cellini as by the Glyndebourne Festival to take part as Pandolfe in the production of Cendrillon. Next to a string of successes as Dottor Malatesta in Don Pasquale (Donizetti) at the ROH La Monnaie and Amonasro in Aida at ROH Wallonie Liège. Furthermore he sang Figaro at Liceu Barcelona (house debut), was cast as Mercutio and Lescaut at the opera house of Monte-Carlo, made his debut at Glyndebourne Festival as Don Iñigo (l’Heure espagnole) and Le Fauteuil/L’Arbre (L’Enfant et les sortilèges) and appeared as Faninal (Der Rosenkavalier) in Geneva, Rivière in Volo di notte (Dallapiccola) in Frankfurt, Dandini (La Cenerentola) in Stuttgart and Marcello and Zurga at the Opera house of Muscat (Oman).
Lionel Lhote sings it all ! From Bizet, over Massenet, Gounod, Offenbach, Delibes, Saint-Saëns, Ravel to Boesmans ... from Mozart and Rossini, over Verdi, Puccini to Dallapiccola ... next to Johann Strauss, Lehar and Richard Strauss ... to name just a few.
It all began at Opera House of Giessen where he appeared in Faust (Spohr), Aeneas (Purcell), Vater in Haensel und Gretel Figaro in Il Barbiere di Siviglia as well as Zar in Zar und Zimmermann" by Lortzing a.o. Subsequently Lionel Lhote participated in production in Aachen : Père Germont (La Traviata) and Scarpia (Tosca). Back home in Belgium he enhances his relationship with the ROH Wallonie Liège in André Chénier/Giordano as Mathieu, La Forza del Destino/Verdi as Fra Melitone, Cosi fan tutte as Don Alfonso, Guillaume Tell by André Ernest Modeste Grétry as Guesler, La Grande Duchesse de Gérolstein as Général Boum, Zurga in Les Pêcheurs de perles, Don Carlos in Ernani and Escamillo in Carmen. The Flanders Opera engaged him as Barbe-Bleue (Ariane et Barbe Bleue/Dukas), Figaro (Il Barbiere di Siviglia) and as Leporello (Don Giovanni).
As a result of his successful debut at ROH La Monnaie as Starveling in A Midsummer Night’s Dream (Britten) amongst others in Monsieur Choufleuri (Offenbach), in La Cenerentola as Dandini, in Lucia di Lammermoor as Enrico and in Massenet’s Don Quichotte as Sancho Panza and his Cendrillon as Pandolfe, in Fledermaus as Frank, in Romeo and Julia as Mercutio, in Manon Lescaut as Lescaut and in Béatrice et Bénédict as Somarone.