 Vocal education
Claire Péron began her musical training at the Conservatoire of Rennes in Bretagne before continuing her studies at the Conservatoire National Supérieur de Musique de Paris (CNSMDP), from which she graduated in 2016. During her time there, she participated in an Erasmus exchange at the Royal College of Music in London. She refined her vocal technique in a masterclass with Christa Ludwig in Austria and gradually turned toward the dramatic repertoire.
Talented newcomer
In 2021, she received acclaim for her performance at the Wagner Festival in Bayreuth during the concert for Wagner Circle Young Artists. Then, she joined the Anthony Laciura Program for Young Dramatic Voices (NYDV) in New York City in 2022. In the summer of 2023, she performed in Wagner’s Götterdämmerung at the Boston Wagner Institute.
First encounters with ...
Claire Péron made her stage debut as Cherubino in Mozart’s Le Nozze di Figaro and as Orlovsky in Strauss’s Die Fledermaus at the Théâtre du Châtelet in Paris. Other notable roles include Olga in Tchaikovsky’s Eugene Onegin at Royaumont Abbey (2014), and Glasha in Janáček’s Káťa Kabanová at the Comédie de Clermont-Ferrand (2016). That year, she earned the Second Price of Marseille Opera Competition.
Deepening the repertoire
She appeared as Altichiara in Francesca da Rimini during the 2017–2018 season at the Opéra National du Rhin, where she later joined the Opera Studio. Her engagements there included roles in Dvořák’s Rusalka, Wagner’s Parsifal, Zad Moultaka’s Hémon and Hans Abrahamsen’s The Snow Queen.
In 2018, she performed “The Field of the Dead” from Prokofiev’s Alexander Nevsky with the Sorbonne Orchestra at the Philharmonie de Paris. With the same orchestra, she was Dalila in Saint-Saëns’ Samson et Dalila and the mezzo solo part in Mozart’s Requiem. Claire also regularly appears in recital with pianist Adam Laloum for the Association Jeunes Talents.
Recent engagements
include her role as Mercedes in director Dmitri Tcherniakov’s Carmen at La Monnaie/de Munt in Brussels (2025) and at the Grand Théâtre du Luxembourg (2022), followed by her debut in the title role of Carmen at La Brèche Festival in France. In 2023, she portrayed Orpheus in Orpheus and Eurydice by Gluck at the Théâtre de l’Athénée in Paris, in a contemporary adaptation by composer Othman Louati. That same year, she joined Le Balcon as an Angel in Stockhausen’s Sonntag aus Licht.
cv-update August 2025 : please contact the agency to get the artist's most recent biograpical details. |
